Yamaha MG16XU Mixer

D-PRE (Discrete Class-A Microphone Preamps)

Preamps form the starting point for a good sound. If their quality isn't sufficient, no great mix can be achieved, no matter how hard the engineer works. In other words: this is where the path for the mix is set, or where an early decision is made about how good it will sound. The MG Series consoles feature Yamaha’s studio-grade, discretely constructed Class-A preamps. They use an inverted Darlington circuit that, thanks to a so-called dual-transistor cascade, delivers more power at lower impedance. D-PRE amps provide fat, naturally sounding bass and silky highs with very low tendency to distort.

Thanks to their wide, very balanced frequency range, the preamps handle all conceivable signal sources without overemphasizing any frequency bands. This clean sonic foundation can save you a lot of time and effort, because extensive EQ adjustments or further processing to correct the mix become unnecessary.

Operational Amplifiers for Highest-Quality Sound

The preamp determines sound quality, while the op amp ICs are among the most important components of the preamp. The MG Series uses new, very high-quality, custom-made MG01 operational amplifiers that we developed in close cooperation with the semiconductor manufacturer. While many op amps optimize circuit design and efficiency—both positive traits—Yamaha prioritizes sound quality, so an off-the-shelf chip was not an option.

The MG01 op amps feature redesigned circuits where internal components and wiring are perfectly matched. And of course very good materials in their purest form—such as discs of ultra-pure silicon and copper wires—are used, so every single component of the chip contributes to outstanding resolution.

Switchable Phantom Power and PAD Switches

Thanks to switchable phantom power, MG consoles allow connecting condenser microphones with all their advantages over dynamic microphones, including extended frequency response, much greater dynamics and improved sound quality. Input channels with PAD switches accept mic and line level sources. The PAD button attenuates high-level inputs—for example, miked instruments during a concert that might otherwise cause clipping and seriously damage the mix.

One-Button Compressors

Compression plays a central role in almost every studio production or live sound application. By cleverly limiting dynamics with a compressor, you can give basslines more punch, tighten snares, make vocals more present or thicken live guitar walls. But it can take countless hours to master the complexity of even simple hardware compressors. Yamaha’s "One-Button" compressors are an innovative proprietary design that lets you set the compressor optimally with a single knob.

EQ and High-Pass Filter

There's nothing better than a reliable equalizer when you need to make nuanced tonal adjustments. The MG Series also benefits from Yamaha’s unrivaled experience building audio gear. All mono channels feature excellent 3-band EQs for precise control over the sound. Additional high-pass filters let you remove unwanted handling noise and other low-frequency disturbances, making the mix noticeably clearer and cleaner.

AUX / Effect Sends / Groups

MG Series mixers provide AUX sends to expand a live or studio setup. You can use these to add external effects, route outputs to external recording devices or feed a monitoring system. The master sum also has its own send controls. The MG06 / 06X and MG10 / 10XU models only have a single stereo mix bus. Other models, however, additionally include one or two stereo group buses and corresponding outputs that can be used for convenient channel grouping. Here you'll also find switches next to each channel fader for clear group assignment.

Numerous Input and Output Connections

All models feature high-quality balanced Neutrik XLR connectors on the mono channels. Stereo channels are also equipped with XLR jacks. The mono inputs are implemented as combo jacks and accept both MIC and LINE levels. Two of the stereo inputs are equipped with an XLR connector and two jack connectors. The XLR accepts mic-level signals, while the two jacks are intended for line-level signals. Either mono or stereo line signals can be supplied (except on the 10-channel model). The operation of the other two stereo channels varies by model: on the 20-channel model the XLR accepts mic level, while two phono connectors are designed for mono or stereo line signals.

On the 16- and 12-channel models two jack connectors accept stereo line signals. Additionally each stereo channel has 2TR phono jacks that serve as independent inputs for external signal sources such as CD players. The 10-channel model has an additional stereo channel with a pair of jack sockets for line signals. On the XU models any source entering via the USB connection can be assigned to one of the stereo channels. In addition to the main stereo outputs (XLR L/R, jack L/R), the MG consoles include numerous output connectors for groups (jack format), AUX/FX (jack format), monitor (jack L/R) and headphones (stereo jack). The mix outputs can be used for various tasks such as monitoring or mastering.

Internal SPX Digital Effects

In all applications, with or without music, effects add polish and professionalism to the mix. The MG-X / -XU models are equipped with Yamaha's globally respected SPX multi-effect processor, providing 24 editable, first-class digital effects that are perfect for enhancing a mix. For a presentation you can add the right amount of depth, or give a live concert fresh energy. In particular the excellent reverb and solid delay can realistically and naturally improve the spatial quality of the mix. The FC5 footswitch is optionally available to switch the effects on and off (MG10XU / 12XU / 16XU / 20XU).

Metal Chassis

The MG Series is built to last and therefore features a solid, powder-coated metal chassis of outstanding manufacturing quality. The design optimally supports internal convection cooling, while the power supply is cleanly separated from the analog circuits inside the unit, which not only prevents unwanted noise but also positively affects component longevity. Moreover, forces such as pressure or tension on the console controls are not transmitted directly to the PCB or electronic components as in many other consoles, but are absorbed by the sturdy chassis, which further benefits the MG Series' reliability and longevity.

Internal Universal Power Supply

Thanks to the highly efficient internal universal power supply you can use the MG Series anywhere on the globe without worry—even where mains voltage fluctuates. The internal supply also simplifies rack mounting for installations because no bulky adapter or extra peripherals are needed. (* MG12 / 16 / 20 / 12XU / 16XU / 20XU)

Rack Mount Kit Included

The 16- and 20-channel MG models come with rack ears, so in addition to simple table setup, trouble-free rack mounting is possible. This makes the consoles well suited for mobile and permanent installations. The extremely robust yet compact design allows smooth, stable placement of the console, keeping setup time to a minimum. *For the MG12 and MG12XU models the optional rack-mount kit "RK-MG12" is available.

USB Audio Interface with 2 In and 2 Out at 24-Bit/192 kHz Resolution

MG mixers include digital connections so digital material can be played back directly via the console. Via USB you can connect not only a PC but also Apple devices such as iPhone and iPad (2 and later) using Apple's "Lightning to USB Camera" adapter. The USB protocol uses asynchronous data transfer. Audio data receives highly accurate clocking from the MG console, allowing recording and playback at excellent quality.