Yamaha MG16XU Mixing Console Set incl. Headphones

D-PRE (Discrete Class-A Microphone Preamps)

Preamps are the starting point for great sound. If their quality isn’t up to par, you won’t get a truly good mix no matter how hard the engineer works. In other words, the course of the mix is set here—an early decision is made about how good it can ultimately sound. The MG consoles feature Yamaha’s studio-capable, discretely constructed Class-A preamps. They use an inverted Darlington circuit that, thanks to a so-called dual-transistor cascade, delivers more drive at lower impedance. D-PRE amps produce thick, naturally sounding bass and silky highs with very low distortion.

Thanks to their wide, very balanced frequency response, the preamps handle all conceivable signal sources without overemphasizing any frequency ranges. That clean sonic foundation saves you time and effort because you can avoid heavy EQ tweaks or other corrective processing to fix the mix.

Operational Amplifiers for Top-Quality Sound

The preamp determines sonic quality, while the op-amp ICs are among the most important components of the preamp. The MG Series features new, very high-quality, custom-built MG01 operational amplifiers that we developed in close collaboration with the semiconductor manufacturer. While many other op-amps are optimized for circuit design and efficiency—which are positive traits—Yamaha prioritized sound quality, so an off-the-shelf chip was not an option.

The MG01 op-amps feature redesigned circuits in which internal components and wiring are perfectly matched. And naturally, very pure materials—such as high-purity silicon wafers and copper wiring—are used so that every single component of the chip contributes to outstanding resolution.

Switchable Phantom Power and PAD Switches

With switchable phantom power the MG consoles accept condenser microphones and all their advantages over dynamics, including extended frequency response, higher dynamics, and improved sonic quality. The input channels with PAD switches accept mic- and line-level sources. The PAD button attenuates high-level inputs—for example, miked instruments onstage that might otherwise clip and seriously damage the mix.

One-Button Compressors

Compression plays a major role in nearly every studio production or live sound application. By cleverly controlling the dynamics with a compressor, you can give basslines more punch, tighten snares, bring vocals forward, or fatten live guitar walls. But it can take countless hours to master the complexity of even simple hardware compressors. Yamaha’s One-Button compressors are an innovative in-house design that lets you dial in ideal compression with a single knob.

EQ and High-Pass Filter

There’s nothing better than a reliable equalizer when you need nuanced tone shaping. The MG Series benefits from Yamaha’s unrivaled experience building audio gear. All mono channels feature excellent 3-band EQs for precise control over the sound. Additional high-pass filters let you remove unwanted stage rumble and other low-frequency noise, making the mix noticeably clearer and cleaner.

AUX / Effect Sends / Groups

The MG mixers provide AUX sends to expand PA or studio setups. Via these you can add external effects, route outputs to recording devices, or feed a monitoring system. The main stereo sum has its own send controls as well. The MG06 / 06X and MG10 / 10XU models feature only a single stereo mix bus. Other models include one or two stereo group buses and corresponding outputs for convenient channel grouping. Next to each channel fader you’ll find switches for clear group assignment.

Numerous Input and Output Connections

All models feature high-quality, balanced Neutrik XLR jacks on the mono channels. The stereo channels also include XLR connectors. The mono inputs are combo jacks and accept both MIC and LINE level. Two of the stereo inputs have an XLR connector plus two jack connectors. The XLR accepts MIC level signals while the two jacks are designed for LINE level. You can feed either mono or stereo line signals (except on the 10-channel model). The function of the other two stereo channels varies by model: on the 20-channel model the XLR accepts MIC level while two phono-style connectors accept mono or stereo LINE signals.

On the 16- and 12-channel models two jack connectors accept stereo LINE signals. Each stereo channel also includes 2TR phono jacks that serve as independent inputs for external sources like CD players. The 10-channel model has an extra stereo channel with a pair of jack sockets for LINE signals. On XU models any USB input source can be assigned to one of the stereo channels. In addition to the main stereo outputs (XLR L/R, jack L/R), the MG consoles offer a variety of output connectors for groups (jack), AUX/FX (jack), monitor (jack L/R) and headphones (stereo jack). The mix outputs can be used for monitoring, mastering, and other tasks.

Internal SPX Digital Effects

Effects can add polish and professionalism to any mix, musical or otherwise. The MG-X/-XU models include Yamaha’s world-renowned SPX multi-effect processor, offering 24 editable, first-class digital effects that are perfect for enhancing a mix. You can add the right amount of depth to a lecture or breathe fresh life into a live concert. The excellent reverb and fine delay in particular can improve the realism and natural space of your mix. The optional FC5 footswitch lets you toggle effects on and off (MG10XU / 12XU / 16XU / 20XU).

Metal Chassis

The MG Series is built to last and features a solid powder-coated metal chassis of exceptional build quality. The design optimizes internal convection cooling, and the power supply is cleanly isolated from the analog circuits inside, which prevents unwanted noise and extends component life. Additionally, forces such as pressure or pull on the control elements are absorbed by the sturdy chassis instead of the PCB or electronics, which further enhances the MG Series’ reliability and longevity.

Internal Universal Power Supply

Thanks to the highly efficient internal universal power supply you can use the MG Series anywhere in the world without worry—even where mains voltage fluctuates. The internal supply also simplifies rack mounting for fixed installations because no bulky external adapter is required. (* MG12 / 16 / 20 / 12XU / 16XU / 20XU)

Rack Mount Kit Included

The 16- and 20-channel MG models ship with rack ears so you can easily place them on a table or mount them in a rack. That makes these consoles ideal for mobile work and fixed installations. The extremely robust yet compact construction ensures stable placement and minimizes setup time. *The optional rack-mount kit "RK-MG12" is available for the MG12 and MG12XU models.

USB Audio Interface with 2 Inputs and 2 Outputs at 24-Bit/192 kHz Resolution

The MG consoles feature digital connectivity so you can play back digital material directly through the board. USB supports not only PCs but also Apple devices such as iPhone and iPad (2 and later) using Apple’s "Lightning to USB Camera Adapter." The USB protocol uses asynchronous data transfer. Audio data receives precise clocking from the MG console so recordings and playback are handled in excellent quality.

Comfortable Stereo Headphones

The KH-238 delivers a full, balanced sound with rich bass and clear highs. It offers plenty of depth while still providing precise and distinct stereo imaging. The soft-padded, wide headband is length-adjustable with 12 steps per side for an optimal fit. For extra comfort the ear cups rotate on two axes. The thick, soft padding of the circumaural ear cups also provides good external noise isolation. The in-line volume control on the cable is always at hand, making it convenient for PC or MP3 player use. The 3.5 mm stereo jack provides excellent transmission characteristics, and a 6.3 mm nickel-plated stereo jack adapter is included.