Marshall DSL100HR

All-Tube Head
  • DSL reissue with authentic tone
  • Power: 100 W RMS
  • Power reduction to 50 W
  • 2 channels: Classic Gain, Ultra Gain with 2 modes each
  • 3-band EQ with Tone Shift
  • Presence & Resonance controls
  • Softube Emulated Output
  • Includes footswitch
Variants (2)
Marshall DSL1HR Head
Marshall DSL20HR
Marshall DSL1HR Head Marshall DSL1HR Head
Marshall DSL1HR Head
  • DSL reissue with authentic tone
  • Power: 1 Watt RMS
  • Power reduction to 0.1 Watt
  • 2 Channels: Classic Gain, Ultra Gain
  • 3-band EQ with Tone Shift
  • Softube Emulated Output
  • Includes footswitch
RRP** 279,00 
265
Marshall DSL20HR Marshall DSL20HR
Marshall DSL20HR
  • DSL reissue with authentic tone
  • Power: 20 Watts RMS
  • Power reduction to 10 Watts
  • 2 Channels: Classic Gain, Ultra Gain
  • 3-band EQ with Tone Shift
  • Presence & Resonance controls
  • Softube Emulated Output
  • Includes footswitch
RRP** 489,00 
439
-40,00€ 829
instead of RRP**869
All prices include VAT
Delivery date unknown

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Finance from 20,10 € per month
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Marshall DSL100HR - All-Tube Guitar Head!

The DSL100H delivers a legendary Marshall tone with two gain channels, plus a wide range of features that provide unmistakable quality and flexibility. In each gain channel you can switch between two sounds, allowing you to ignite your own personality and creativity.

Key Features:

  • Powerful Stage Presence: With two master volume controls, you deliver solos that put you in the spotlight.
  • Change the Output: The DSL100H works at home, in the studio and on stage. It features five speaker outputs and supports direct recording and silent recording via standby.
  • Sound Flexibility: With separate reverb for the two foot-switchable channels, the effects loop and the Tone Shift controls, you can easily experiment with new sounds.
  • In Any Environment: Thanks to the 50 W power reduction, the DSL100H can deliver its full power and tone even at lower volumes.
  • MIDI-Compatible: This amp’s functions can be controlled via MIDI, giving you precise control in every situation.

Sound quality you can hear!

Features

  • DSL reissue with authentic tone
  • Power: 100 W RMS
  • Power reduction to 50 W
  • Tubes: 3x ECC83 (preamp), 1x ECC83, 4x EL34 (power amp)
  • 2 Channels: Classic Gain, Ultra Gain
  • Classic Gain with Clean/Crunch modes
  • Ultra Gain with OD1/OD2 modes
  • Independent Gain & Volume controls per channel
  • 3-band EQ with Tone Shift
  • Presence & Resonance controls
  • 2 independently adjustable Master Volumes
  • Built-in reverb independently adjustable for both channels
  • Standby mode for silent recording
  • Softube Emulated Output/Headphone Out
  • Serial effects loop send/return
  • MIDI Input
  • AUX Input
  • Speaker outputs (1x 16 Ohm/1x 8 Ohm, 2x 16 Ohm/1x 4 Ohm, 2x 8 Ohm)
  • Dimensions (W x H x D): 740 x 274 x 242 mm
  • Weight: 24.2 kg

Scope of delivery

  • 1 x Marshall DSL100HR head
  • 1 x Marshall 2-button footswitch

Suitable accessories (Not included in the delivery.)

Specification

  • Product number 00051229
  • Pre amplifier Tubes
  • Hall/Reverb included Yes
  • Direct Out / Line Out Yes
  • Power (Watts) 100
  • Foot switch included Yes
  • Power amplifier Tubes
  • additional FX No
  • Colour Black

Reviews

4.0/5.0
Based On 4 ratings
5 Stars
2
4 Stars
1
3 Stars
0
2 Stars
1
1 Star
0

A verification of the ratings has taken place as follows: Only customers who are registered in our online store and have actually purchased the product from us can submit a rating for the item in the customer account.

Unfortunately not the right amp for me
Review from Anonymus on 24.06.2020
This rating has been translated automatically. Original language flag from
 verified purchase
This amp is unfortunately not what I was looking for.
I thought with a Marshall you can not go wrong, but it is so that I do not like the top. If I set the sound in the clean / crunch channel for my taste is good, he is not good in OD1 / OD2 (sounds in OD1 / OD2 then much thinner, there is something missing). Is probably because there is only one tone control for all channels.
Another disadvantage I find that the Crunch channel compared to the Clean channel is much louder and you have to balance it with the Master 1 and 2. Disadvantage is that you can not use the master volume if all channels should be the same volume and you want to have the master 2 volume for solo volume boost ... (Does not go then unfortunately).
I mean tastes are different and everyone has there so his ideas.
Should each decide for themselves and test.
For me, the top is not what I'm looking for and send it back and take the 60 day return policy I use.
Better than its predecessor
Review from Anonymus on 26.03.2018
This rating has been translated automatically. Original language flag from
 verified purchase
Hi, I have the HR now a few weeks, and I must say he is still n ticken better than its predecessor. The components are also of higher quality. All around a great part.
Also the advice of Daniel and Markus as always exemplary.
Thank you!
Tubes are something else
Review from Michael on 04.05.2025
Variant Marshall DSL1HR Head
This rating has been translated automatically. Original language flag from
 verified purchase
Despite the low wattage, it sounds great for my home and also for recording. I just have to exchange all my stuff now because the touch dynamics of the amp are so good and of course no digital device can keep up, at least not the ones I own.

I find that very interesting with the low power.
Marshall sound in quiet (+tip for loud)
Review from Andreas on 21.04.2022
Variant Marshall DSL1HR Head
This rating has been translated automatically. Original language flag from
 verified purchase
Have the DSL1HR first connected to the speakers of a F. Vaporizer (2x10"):
The amp sounds good in the 0.1 like 1 watt (from quiet to slightly above room volume), very juicy treble, very clear and direct - but: completely clean goes only quiet,
soon comes clearly compression, then first distortion (Classic Gain channel).
The simple switching to the "Ultra-Gain" channel with satisfactory result is for me only in ONE common EQ setting in it,
without having to readjust the sound there. But if you take some time, there are many different sounds in both channels.
The UG channel itself and also the reverb sound really good though.

And: I connected the little one via "Send"-Out to the regular input of the other tube amp! So the whole thing sounds like a mix of both, minus the Marshall's power amp signal (I think, since, if I'm right, the send signal only comes out of the preamp).
The EQ controls now react differently, the basic character is much more treble, which again can be compensated by EQ, the reverb drops out here,
but the amp stays clean (!) longer and of course the whole thing is now as loud as the second amp can!
Sonically different than solo, but with me absolutely satisfying.
And that makes the little one (together with a perhaps already existing other amp) again more flexible and useful.

Many thanks also to the fast and good service of Musikhaus Kirstein.

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