Pronomic MCM-100 Instrumental Microphone - there's a lot of microphone inside!
It does not matter what instrument you clamp the MCM-100 to - it always makes for a great look and great sound. With its flexible 13.5 cm gooseneck, the microphone can be put in an optimal position. The optional holders and clips stay in place without damaging the instrument. Thanks to the very small capsule with foam covering and the slender gooseneck, this microphone is always discreet.
Thanks to the high-quality, vibration-neutral capsule, the MCM-100 captures the natural sound of your instrument without distorting it. The directional characteristics ensure that other sound sources are minimized, and a clean sound is produced.
Easy to use
The XLR phantom power adapter is connected by a screw cap, preventing crackling sounds and accidental disconnection. The long cable (2 m) allows for maximum freedom of movement.
For the safe transport of the MCM-100, there is a system case included, protecting your microphone from dust, dirt and damage. The spaces for additional holders are already in the case allowing you to store all your holders in one place.
Attach, clip, and go!
The Pronomic MCH-100C microphone holder connects easily to the outer two strings of the cello and holds the Pronomic MCM-100 securely in place.
No tools are required for mounting, and since the microphone holder is installed on the strings, it has no contact with the body. This way, the Pronomic MCM-100 clip microphone can be positioned discreetly on the instrument.
A clip microphone set with holder at an unbeatable price!
Suitable accessories (Not included in the delivery.)
This rating has been translated automatically. Original language
My experience: On larger stages and small open airs the MCM-100 is VERY GOOD!!!
Easy handling. Sound depending on the alignment to the strings nicely variable and natural,
with surprisingly little feedback susceptibility.
... on very SMALL club stage with band only limited use.
It catches the neighbouring instruments and monitors and causes "mud" on the cellist's in-ears.
on the in-ears of the cellist.
(have therefore purchased an additional E-cello, even if the sound is "different")
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