Standard aktive DI-Box mit hoher Eingangsimpendanz!
Standard Aktive DI-Box. Kann über 9V Batterie oder 48V Phantomspeisung betrieben werden. Hochohmiger Eingang, größerer Ausgangspegel als eine Passive DI-Box. Die aktive Schaltung ermöglicht die hohe Eingangsimpedanz von 1 MOhm und größere Empfindlichkeit des Eingangssignals. (Typische Differenz zwischen Ein- und Ausgang -4 dB). Die max. Ausgansspannung beträgt bei Phantomspeisung +10 dBu. Ausgang: trafosymmetrisch. Durch eine spezielle "floating ground" Schaltung funktioniert der Ground-Liftschalter auch bei Phantomspeisung. Stahlblechgehäuse 110 x 73 x 42 mm.
Qualität von Palmer!
Features
- Aktive DI-Box
- Anzahl Kanäle: 1
- Anzahl Eingänge: 1
- Eingangsanschlüsse: 6,3 mm Klinke
- Max. Eingangspegel: + 45 dBu
- Eingangsimpedanz: (@ 60 Hz) 1 M Ohm
- Eingangsdämpfung: 0 / -30 dB
- Anzahl Ausgänge: 1
- Anzahl THRU-Ausgänge pro Kanal: 1
- Ausgangsanschlüsse: 6,3 mm Klinke, XLR
- Max. Ausgangspegel: + 10 dBu
- Ausgangsimpedanz: 600 Ohm
- Frequenzgang: 10 - 20000 Hz
- Transformatorsymmetriert
- Übersetzungsverhältnis (Ratio): 1 : 1
- Bedienelemente: Attenuator, Ground-Lift
- Stromversorgung: + 48 V Phantomspeisung, 9 V Block Batterie
- Stromverbrauch: 3,8 mA (9V), 4 mA (48V)
- Gehäusematerial: Stahlblech
- Gehäuseoberfläche: pulverbeschichtet
- Abmessungen (BxTxH): 110 x 73 x 42 mm
- Gewicht: 353 g
Scope of delivery
- 1 x Palmer PAN 02 Aktiv DI Box
Specification
- Product number 00003284
- Colour Black
- Type Active
- Number of channels 1
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About this one: It is single-channel and active For high-impedance sources such as electric guitars best suited
The only drawback is: To install a 9 volt battery, the unit has to be opened (a screwdriver is a must)! A battery compartment accessible from the outside would be desirable! But with 48 Volt phantom power this is not a problem, and the box is not meant for travelling! A ground switch is present, likewise a 30 DB level reduction, here a multi-stage switch, e.g. 10 - 20 - 30 Db would be substantially more meaningful.
Otherwise the thing simply does what it should, namely to adapt a high-impedance source, e.g. electric guitar, to XLR levels, and thus to enable long XLR cable runs without interference. On the input side, a high-quality jack cable is mandatory and should be kept as short as possible! The noise you get from a bad cable is also passed on symmetrically (XLR) despite galvanic isolation.
The bottom line is that this is a sturdily built, almost impossible to kill part for studio and stage! A clear buy recommendation from me!
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