This item is a returned item - condition: very good - with warranty.
Note on Condition:
Return shipment with light signs of use.
Please note: As the item is already packed and stored in our logistics center for shipment, we cannot provide further information about the condition or send additional photos.
Below you will find the description of the item as new:
Professional Condenser Microphone for Studio Recordings!
The new Pronomic CM-22 is a professional large-diaphragm microphone ideally suited to demanding studio applications. Its FET technology (field-effect transistor) provides high-quality signal transmission on a fully analog basis, delivers a silky-warm sound and is therefore the studio's first choice for recording vocals and acoustic instruments such as guitar, strings or drums.
High-Quality Recording
The gold-sputtered 1.25" diaphragm and the FET preamp provide a balanced, wide frequency range while keeping self-noise low - an absolute must for professional recordings! The cardioid polar pattern remains stable across the entire frequency range, making the CM-22 a true all-rounder for numerous applications. Using a second CM-22 as a stereo pair in particular opens the door to high-quality stereo recordings (drum overheads, classical or traditional ensembles, radio plays, atmos, etc.).
The CM-22 is supplied with a high-quality shock mount (5/8" thread) and a carrying case.
What Can I Connect the CM-22 To?
As a condenser microphone, the CM-22 absolutely requires an XLR connection with a preamp and 48V phantom power, such as a mixer or an audio interface. The microphone is NOT suitable for direct connection to a computer.
Top Quality at an Entry-Level Price!
Features
- Studio Large-Diaphragm Microphone
- Gold-sputtered 1.25" Diaphragm
- FET Preamp
- Polar Pattern: Cardioid
- Frequency Range: 20–20,000 Hz
- Sensitivity: -34 dB (0 dB = 1 V/Pa @ 1 kHz)
- Signal-to-Noise Ratio: 78 dB
- Output Impedance: 150 Ohms (@ 1 kHz)
- Max. Sound Pressure Level: 132 dB SPL
- Equivalent Noise (IEC 268-4-A rated): 16 dB
- Robust Metal Housing
- Stable, Double-Layer Metal Grille
- Power Supply: 48V Phantom Power Required
- XLR Connector
- Net Weight: 346 g
Scope of delivery
- 1 x Microphone
- 1 x Shock Mount
- 1 x Carrying Case
- 1 x Windscreen
- 1 x Padded Case
Specification
- Product number 00028282
- Colour Black
- Type Condenser
- Design for stand
Reviews
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A verification of the ratings has taken place as follows: Only customers who are registered in our online store and have actually purchased the product from us can submit a rating for the item in the customer account.
This rating has been translated automatically. Original language
This rating has been translated automatically. Original language
Maybe I can say something new about the spider, because I was a bit unsettled by the many negative comments about it. But there Kirstein has apparently improved quite prima. There is now nothing more screwed but only a clamp pressed and released again when the micro is in. From the handling super and makes a solid impression, whether with other spiders the damping effect is better I can not say, but for my home recording it is enough thick. With me also trample no elephants through the room.
This rating has been translated automatically. Original language
Rating of article as a new product
This rating has been translated automatically. Original language
The sound quality is very good am very satisfied
For little money a very good mic
Very happy again
Rating of article as a new product
This rating has been translated automatically. Original language
In the test, the Pronomic sounded freer, more open, almost more transparent than the Rode NTV-A1, which sounded so compact that I thought about processing it with a compressor. For hours I would not want to listen to the sound of the Rode. But the Pronomic CM-22 sounds much freer and more natural, even if somewhat "colored".
A Lewitt LCT 140 AIR serves as a direct comparison to the CM-22.
The Lewitt reproduces the acoustic guitar very naturally, but also sensitively, each tone is unadulterated. The correct position for recording (distance 30 cm, 12 fret aimed), is almost like a directional microphone.
With the CM-22, I particularly like this beautiful, free "room sound". It also forgives playing errors better, which the Lewitt reveals unaltered. The gain setting can be set higher on the CM-22.
As a sonically very interesting variation for the recording of acoustic instruments and with regard to the price, the CM-22 is a successful, convincing buy recommendation. I personally find the lightness in the recordings and the spatial imaging very good.
A praise still to the Kirstein team:
Shortly after my order, the Pronomic CM-22 was lowered in price. A short notice on my part was enough, and I already had the refund on my account! That is very customer-friendly!
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